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the KM 184 can be used by soloists as well as ensembles
Based on the new standard for acoustic and jazz guitar amps
powerful attack and a dry sound with short sustain
Its excellent functionality and timeless design are appealing
Shinko Music THE EFFECTOR BOOK Vol.53〈Shinko Music Mook〉 B-stock the KM 184 can beThis issue's feature is the Tone Bender, a fuzz pedal that was born in the mid 1960s. As basic knowledge for effects enthusiasts, everyone knows the name, but very few people have actually played the actual unit, making this model synonymous with an extremely rare fuzz. In particular, the early production models were produced in small numbers, and it is well known that they are even described as phantom items, as they are difficult to come across even
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